Dark Souls 2 Design Ravings

Dark Souls 1 may be my favourite game. It has stern competition from the original Command & Conquer, but there are no other games in the last few years I’ve poured as many hours into. As you might expect, therefore, when Dark Souls 2 came along I quickly preordered one of the super-special editions, happy in the knowledge I would be sending some more money to a company who had made an absolutely stunning game the last time around, and a game I only paid £10 or so for after it had been out a year. Having played it through once – and then having gone back to the original for my first playthrough in around half a year – I found myself with so much to write about I just had to put some of these thoughts to paper. If you’re not interested in some detailed thoughts about the two Souls games I’ve played (I have yet to play Demon’s Souls), feel free to skip this one. Otherwise, let’s begin. I’ll start off talking about the things the game does better, then I’ll talk about the things the game does worse (alas, a list that is both much longer and deals with much more significant parts of the game), and then conclude with some final thoughts on the whole business.

For Better:

User Interface:

The UI is clearer – you can see more items at once, check out a larger selection of items more easily, and so forth.

PvP Lag:

Although I have been hearing issues about the “soul memory” system in the game – designed to help balance PvP encounters, but apparently it can be exploited in order to do the exact opposite – the loss of lag is a hugely important point here. Even if the PvP mechanics may be weaker this time around I still prefer to play this in DS2, not 1, simply because the lag is pleasingly minimal. It doesn’t have the minimal latency of something like CS:S, but it’s still eminently playable now, and doesn’t boil down – quite as much – to farming backstabs by exploiting the lag.

NPC Invasions:

There seem to be many more NPC invasions now which come at a variety of points in the game. These NPCs have an interesting range of builds, appear whether you are human or hollowed, and are much more challenging than the ones in the original. The fact they appear regardless of your status is also a huge step in the right direction for the concept.

Resting at Bonfires:

You now only need to touch a bonfire to activate it, not sit at it. Entirely minor, but nice.

Multiple Soul Uses:

You can now choose how many in a pile of souls to use at once instead of having to pop each at the same time. Truly wonderful.

Humanity/Human Effigy Improvement:

Humanity is no longer an item you only use if you actively want to PvP, or if you want to kindle a bonfire. Instead, the new “Human Effigy” item gives you a real reason to be human – each time you die your maximum health is reduced slightly, so the Effigy becomes an item that you possibly want to use before particularly tough sections, maybe even between bonfires (though as I’ll go onto later, the bonfire placement is far too kind this time around), and balancing how often to use them vs their scarcity is a good move in the right direction. Equally, the removal of some specifications around invasions and being human/hollowed combines with this change very well.

New Items:

There are many more usable items (like firebombs, resins, etc), and the extra variety is appreciated. I couldn’t find more than one or two of them on my first playthrough however, nor anyone who sold most of them, but I shall assume I missed it.

For Worse:

Level design.

This is one of the big ones. The level design is, unfortunately, scarily simplistic compared to the two dozen labyrinths we traversed back in Dark Souls 1. This was a feeling I got to an extent upon playing DS2 first, but after I went back to DS1 and explored areas like the Painted World anew, this realization simply could not be ignored. Here is a map of one early area in Dark Souls 2, Heide’s Tower of Flame…

HTOF

…and here is a map of a mid-game area from Dark Souls, Sen’s Fortress:

Sens

Just flick your eyes between those maps (thanks to the Dark Souls wikis for both). Yes, the first is a sketch and the second is detailed and neat; yes, Heide’s Tower of Flame is simply a smaller area; yes, Dark Souls’ Ash Lake and Lost Izalith, for example, are very linear (though even Ash Lake has more alternate routes than HToF!); but the problem is, the Tower of Flame map is indicative of almost every area in Dark Souls 2 – a straight line with one or two tiny diversions – whilst the Sen’s Fortress map is equally indicative of almost every area in Dark Souls 1. The only large, densely-packed area is the Lost Bastille, which has five bonfires. In Dark Souls, an area of that size – the Burg, say, or the Painted World, or the Depths – would have one or possibly two, but the level would be designed in such a way that there are multiple paths to take, shortcuts to unlock, and the level design would be incredibly dense as a result. This pattern unfortunately repeats across the game. Most areas are fundamentally a straight line with a few minor tangents that basically lead back to the same original direction; almost no-where is that multi-layered maze-like level design that worked so incredibly well in the original DS.

The second issue with the level design is more aesthetic and thematic. For any game with an “exploration” factor the ability to surprise the player is surely paramount. This may seem obvious, yet many games fail this simple test – the only place in Skyrim that might awe the player is Blackreach, for example. In the rest of the game, even though you don’t know specifically what lurks in each cave, you do know what lurks there in more general terms. You know what a Dwarven ruin will look like, what a cave will look like, what a draugr-infested place looks like, etc. I really value the moment where the game confounds your expectations, or shows you something you didn’t even know was there, or gets you totally rethinking what you thought you knew.

One of the best things for me about the Souls series is their ability to constantly surprise you. Maybe for a boss you’ll fight another player, or maybe you’ll uncover a secret in the most obscure of places, or find a region whose architecture makes you utterly reevaluate the fictional world in which you play (a la Ash Lake). Unfortunately I found the first half lacking in this regard – one boss surprised me and sent me spiraling into a little pondering of the in-game lore, but otherwise nothing really struck me and amazed me. The gameplay was fine, the storytelling decent (though too many items boil down to “This sword was used by an ancient hero – or was it?”), the aesthetics of the world (mostly) as great as ever, but nothing made me rethink what I thought I knew. However, the later half of Dark Souls 2 really picks up in this regard. In the first half there was probably only one area which had the same impact as being snatched by the crow out of the Undead Asylum, seeing the Moonlight Butterfly perched upon a distant ledge, descending into Blighttown and realizing an entire civilization squats amid the foundations of Lordran, being cursed for the first time, or winding up in the jail in the Duke’s Archives. All those moments in Dark Souls both impressed me with the creativity and the audacity of the game’s design, and made me feel the game could continue to surprise me both aesthetically and mechanically.

Moonlight

Passing through Darkroot Garden, you see this perhaps minutes, perhaps hours, before you ever encounter it close up…

Although the first half lacks any real surprises and often feels like a rehash of DS1 – indeed, see the plot spoilers below, there is a reason for this – the second half of DS2, in fairness, has many such moments. At one point I was sure I was approaching the penultimate boss which I thought would just be followed by a 5-minute ride to the final boss, and then discovered the boss I expected was actually an NPC and three entirely new areas had just opened up to me; at another, rather than descending down into the depths of the planet (a common Souls theme) I found myself climbing up higher than one has ever been in a Souls game (this is debatable based on your interpretation of Drangleic geography, but I think this region is subjectively significantly higher than Anor Londo was). Another point saw a visually arresting area unlike anything before in a Souls game whilst elsewhere assorted secrets referencing the original game point towards all manner of lore speculation. Whenever I thought I knew what the was going on and what the game “was”, on some fundamental level, it changed things up and surprised me, and that is something an exploration-focused game should always try to do.

The last aspect of level design lacking is that foreshadowing the previous game did so well. Often you could make out something in the distance, either a structure or a boss, and later would find your way towards it. This made the entire world feel incredibly connected (see the next section) and quickly raised the interest and excitement to get to this location on the player’s part. The “here’s something you’ll be fighting!” is less common this time around, or rather, is almost entirely lacking. In DS1 Ceaseless, Kalameet, the Moonlight Butterfly and the Iron Golem are all enemies you likely see long before you ever fight them, and you wonder – are these bosses? NPCs? When will I fight them? To its credit, Dark Souls 2 undermined this expectation nicely by turning what I was sure would be a boss into a very cryptic (and very large) NPC towards the end, and similarly I was very surprised when encountering a character I’d heard a lot about (and knowing the Souls’ series perspective on “King” characters), but these were really the only two examples. You cannot see outside the little corridors the game channels you down at any point, and the corridors themselves are, for the most part, sadly very dull.

World design.

Roughly speaking, the world structures of each game are as follows (in both cases you begin in the middle).

DSmaps

Dark Souls 1 is split into two halves – the first half of the game where you navigate the central interconnected wheel, and then you gain access to a fast-travel system and the four spokes open up. Once you’ve reached this point you know your way around the core well, and fast travel is only available to pursue the paths that branch out. It is worth noting that the levels on this path – Duke’s Archives, Tomb of the Giants, Painted World, etc – are every big as multi-layered as the others, but they just don’t connect with each other. When you’re in these regions you can still see other parts of the map, and the world still feels huge because you’ve explored most of it before gaining access to the fast travel system. By contrast, the latter game is a very simple structure. You have four main paths, and later you gain access to the branching path in the bottom corner. No regions connect with each other. This, combined with the fact you can now warp from the start, combine to make the world in Dark Souls 2 seem flat, uninteresting, unconnected (because it is!) and simply a far less interesting place to explore.

In Dark Souls, on one’s first playthrough, one is overwhelmingly likely to pass through the “expected” route – through the Burg, the Parish, the Depths, Blighttown, and through to Quelaag. However, if you really look around (and fight through some Drakes), you can sequence-break that and move around a lot of Blighttown. Alternatively, if you take the Master Key on a later playthrough, you can totally change the order you do everything by opening the tower Havel is locked in, or even more importantly, the door between New Londo and Blighttown allows you fight Quelaag first if you’re so inclined. You can also fight the Four Kings as anywhere between the second, and the penultimate boss, of the entire game. Sadly, nowhere in DS2 is there a comparitive level of freedom to decide on your own route even once you know the game well. Even though the hub area has many routes, most are closed off when you start, and it only really offers you five linear paths, and the second half of the game – although far stronger – also sticks to the generally linear regions. There is no sense of mastery over the game world on repeated playthroughs, nor a reinforcement of the idea that you are exploring one area.

Another glaring weakness is, as hinted at above, is that even the levels that lead to each other are not connected! You almost never see things in the distance you’ll later find your way to, and the rare times you do – for example, you can see the Tower of Flame from Majula – the perspective and location are all wrong. However, the most shameful example of this involves the middle of one of the early paths the game sends you down, when you find the structure shown below.

Earthen peak

You will note, I am sure, that there is nothing atop this windmill-castle-thing. No lift, no path, and certainly no volcano. Indeed, there is no volcano anywhere even remotely in sight. As you progress through this region (Earthen Peak), you reach the top of the structure and defeat the boss. After that, you get in a lift and go upwards… into the air… and emerge into this area, Iron Keep, a castle within a volcano with lava and flame for miles around.

Iron Keep

Which, basically, means this area of the world is laid out like this…

IMpossible

…and the upper half is entirely invisible from the ground (Credit for first two pictures go to Matthewmatosis (Youtube), last picture to maplejoker-anno.tumblr). This hammered home to me more than anything else that these were just levels in a game, not segments of an actual world I was exploring. Anything like this would not have been considered for a heartbeat in the beautifully pieced-together map of DS1 – where you can stand atop Sen’s Fortress and look down upon the Parish, or walk through the Tomb of Giants and catch a glimpse of Ash Lake – and, whilst this example is more extreme than others, this repeats throughout the game. A quick look at the map viewer for the game shows a huge number of both logical and thematic discrepancies. No-Man’s Wharf is way below the sea level seen from the Bastille, Sinner’s Rise is entirely invisible from up above, going up the lift from Aldia’s Keep launches you into a sky area you hadn’t seen anything of before (though a visually amazing region), whilst the Shaded Woods path goes from a forest into an area akin to the Giant’s Causeway (again, aesthetically impressive, but entirely incongruous) and then into a desert all without any real warning.

Ultimately, Lordran felt like a single location that had stood for thousands of years and finally fallen into ruin, through-out which you might run across a few other souls on their own personal quests or missions, picking through the ruins of this astonishing megastructure/city/fortress that stretched far up into the sky and deep underground. Drangleic, alas, feels like a sequence of tunnels and people specifically laid out to greet the player at every turn. It’s more like a sequence of “levels” akin to, say, early FPS games where you basically “teleport” between each level (Goldeneye style), rather than anything approaching a connected world. In fact, although the areas in Demon’s Souls are not connected, I believe they do not overlap either in as horrifying or jarring a way as some of the DS2 ones do.

Story.

I recently bought the Dark Souls design works book, which is fascinating. At the back is an interview with Hidetaka Miyazaki, the design lead on the first two Souls games, and in the interview he mentions that one of his inspirations for the lore of the Souls games was reading Western fantasy books/RPGs – his English wasn’t amazing, so he wasn’t entirely clear on what was going on, and had to form his own connections. This in turn inspired the way the story/lore are told in Souls games, and I for one love it (and it is something I aim to emulate in URR). I think the storytelling in DS2 remains strong and encourages you to piece things together, but those pieces are far less interesting than the pieces in the original game.

PLOT SPOILERS BELOW.

Seriously, major ones. I know some people – like me – read at a pace where just seeing “spoiler warning” is not enough to stop you reading before you read on a few words, so let this sentence be the final warning. If you’re like me and adore the Souls story, stop reading at once. Otherwise, let me state up front – Dark Souls 2 introduces the idea of a repeating or cyclic history. I have no objection to the “cyclic nature of history” plot ideas – Japanese games seem more willing to use this than their Western counterparts, but this is far from an exclusive rule (e.g. Mass Effect). However, in this case I think From Software made a colossal misstep by assigning a cyclic history to the Dark Souls lore. Now, I should state, to an extent the existing lore suggests a cyclic history, on a very small scale – the bonfires keep those cursed endlessly resurrecting, yes, but on the grander scale of history Dark Souls 1 has no mention of repeating patterns. The world began with the dragons; the Lord Souls were discovered; Gwyn forged “civilization” atop the archtrees; but now even his soul is beginning to fade, and must either be replaced or allowed to die. Nothing repeating or replaying is mentioned. By contrast, a little delving into DS2 lore makes it quite clear this is the case – “many civilizations” have risen and fallen on the spot where Drangleic stands (which is where Lordran once stood); the four Lord Souls have been taken by other creatures, who have been defeated by other “chosen undeads” (though DS1 does imply this very concept is a fictional creation if you talk to Kaathe or consider the role played by Gwyndolin), who have each had to make a choice about keeping the First Flame going or allowing Dark to spread. You begin the game tasked with seeking four Great Souls, and each of these corresponds to one of the four from the original game – Seath, Gwyn, the Witch of Izalith and Nito (though Seath had a fragment of Gwyn’s soul, the nature of the Dark Soul is different in DS2). They have taken new forms, but their origins are apparent for those who care to look. The new location of Seath’s soul features a Duke and an entombed Dragon; the new owner of Gwyn was also a king who overreached; the new owner of the Witch’s soul tried to relight the first flame and appears to have been cursed by Chaos; while Nito’s new owner is also a foul amalgamation of corpses dwelling far below the Earth. This isn’t “cyclic history” – this is just repeating the same ideas, which were wonderful the first time, but we’ve seen them before.

As much as I wish to say this is just a part of the story… it just strikes me as lazy. By the game’s own admission the first half is a “repeat” as you gather the same four Souls. For those Lore-buffs, you will note that the Lord Souls are what gave Gwyn et al their power, not something inherent to those individuals/creatures themselves. That may be, but that’s no excuse to just say “other creatures now have these souls and are rather similar to their original owners!”. The second half of the game when you break away from the four Souls from the first game is far more interesting and varied and had far more “surprise” moments than the first half, which (sadly) only contained one or two. In general the original lore – about Navlaan, Aldia, the Dragon, the Giants – is genuinely great, and I’ve enjoyed keeping track of the internet’s collective deductions about all this new lore, but the rehashed lore is very uninteresting.

PLOT SPOILERS END.

NPCs.

In Dark Souls 1 each of the few NPC characters has their own story which might not necessarily link up with your tale; they have their own objectives, and you can only trade/talk with them for certain periods. They move through the world and may die or live on their own quests. Completing these quests was an interesting extra challenge in the first game and one lacking in Dark Souls 2. NPCs don’t generally have their own quests, and once they get to the game’s hub, they then just don’t go anywhere! They just sit still until the end of the game and never do a blasted thing. Many of DS1′s characters were far more tragic – Solaire and Seigmeyer spring to mind, not to mention Sif and Artorias – whilst DS2 lacks a single NPC I felt a damned thing for, though I guess Lucatiel wasn’t half-bad. And I am convinced that “Laddersmith” is not a real profession.

Notarealthing

Enemies/bosses.

There is a fine line between “homage” and “reusing the same art and AI assets we used in the first time”, and alas, Dark Souls 2 falls squarely on the wrong side of that divider. Two entire bosses from DS1 are simply lifted wholesale into DS2 whilst others (Najka, Royal Rat Authority) are lifted from DS1 but reskinned and with a few new moves, and others (Royal Rat Vanguard, Dragonrider, and then… Twin Dragonriders!) are, as much as it hurts me to say it, just phoned in. I am not rose-tinting DS1′s bosses – Ceaseless has hitboxes large enough to strike you in the next country, the Bed of Chaos is a travesty – but the selection is far more limited, many have far less impact (as they have less lore behind them) and some are simply direct copies, even with the exact same name as in DS1. DS2 does have some great bosses – the Smelter Demon has an interesting core mechanic (proximity does damage), the Executioner’s Chariot is very different and original, the Demon of Song is a magnificent concept (though not the most fascinating fight), but… the list is short.

Repeated Chest Ahead!

Repeated Chest Ahead!

Other, much smaller issues:

Four K-, er, Rings:

You can now put on four rings instead of two. This is a totally pointless change; any meaningful decision-making between your rings is gone. In Dark Souls 1 the Abyss forces you to use one ring for the Covenant of Artorias and thereby restricts you to a single ring; Lost Izalith all but requires the Orange Charred Ring to survive on lava; many rings are very strong in Dark Souls 1 and – unless you’re a good enough player to have the Red Tearstone Ring on 24/7 – offers a lot of tricky choices. Even the amazing Ring of Favor and Protection, boosting three key stats, breaks permanently when removed; its cousin in DS2 can simply be repaired. Four rings is far too much, and there was no point where I felt uncertain about which to wear. Also, the Ring of Binding is vastly overpowered (for singleplayer, anyway).

Randomized Crow-trading rewards instead of fixed rewards for specific trades:

This is inherently stupid.

NPC Graves:

If you kill an NPC, they return as a grave, and you can still interact with a ghost. So there is now no penalty for killing NPCs, and the weight of your decisions in DS1 are lost. Souls games are meant to eschew the weak hand-holding of so many modern games, and yet they’ve removed a minor but excellent aspect of it here.

Cursing:

Cursing – which used to be a permanent reduction of your max health by 50% until it is cured – is now an almost meaningless ailment, thereby constituting another step back from the amazingly bold/confident (ballsy?) game design of DS1.

Summary:

So what went wrong? For the most part I enjoyed my first playthrough, even though some bits left me cold the first time I was playing them. Other parts impressed with their aesthetics or some of their enemies, but upon further consideration their linearity compared to the first game became apparent. The fundamental problems are two-fold – the development team tried too hard to create Dark Souls 2 instead of a new Souls game, and – for whatever reasons – they moved away from the maze-like structure of the first game (at both the individual level scale and the entire world scale) towards a world of straight lines with minimal deviation. Too much of the first half draws from the first game; too few bosses, NPCs or areas feel at all original; and too many regions just boil down to straight lines which try to cover up wildly inconsistent geography. There are many small improvements, but the few major steps backwards are just too significant. After finishing DS2 I returned to DS1 for the first time in six months and instantly fell back into its incredible world. I thought I was certain to want to 100% DS2, and yet nothing from that world actually calls me back. There’s so much to go through to get to the more interesting segments, and even those segments are still just walking from one point to another. I’m sure I’ll revisit it some day, but Lordran, not Drangleic, remains my Dark Souls home.

The Path to Next Year

Last week I announced that starting in a few months I planned to have an entire year of full-time development on URR. The response here and on other websites has been overwhelming, so I must give a huge thank you – I’m amazed at how excited and positive everyone has been, and I cannot wait to start the year! My objective is to do everything currently on the Development Plan page, and I think that is very achievable within a full year. This year will be starting within a few months (a little bit into the new academic year) and that’s what I mean when I say “next year” within this piece.

Sigil Line

Until then, however, I do (alas) need to actually finish my doctorate. I estimate this taking 2-3 months, so I expect to start the full-time year some time in September, depending on exactly how long it takes, when I move house, and various other factors. The second half of next week’s announcement is that my best friend has got a PhD in Game Studies in Lincoln, so we’re both moving there in September, at which point I’ll be starting my full-time year (with a little bit of game studies publication on the side, hopefully). As mentioned last week there will be no Kickstarter, though I do appreciate the willingness many have stated to donate to help me out this year. I may add the possibility for this, but I’m more likely to wait the full year and then evaluate. If, however, the entire coding year goes by and I haven’t yet found a job and I find myself ~15 months from now suddenly entirely lacking in money, I may then set up some form of donation system to potentially keep myself afloat. But that is in the distant future.

Sigil Line

So, what now? Well, these next few months I’m unfortunately going to have very little time to program, though I hope to snatch a few hours of coding here and there. The past week I’ve been making a little progress on some more fortress archetypes and the mysterious standing stones in hunter-gatherer settlements, but not enough for a full update. Thus, instead, for these next two months we’re going to have primary game criticism updates. I know a lot of people have enjoyed these in the past and I’ve got a line-up of interesting ideas. I’ve had a bunch of things in the work for a while now, so here’s your schedule for the next few weeks (with one or two coding updates thrown into the mix):

I’ve had this one in the mix for a while. Some time ago I thought of the question - to what extent should AI behaviour be predictable and totally understandable? - and this entry is my attempt to answer this question. Should you be able to figure the AI out perfectly? If not, how do you prevent that – from randomness, or complexity?I think it’s very relevant to roguelikes, especially those with complex combat systems, where the AI’s decisions might be the difference between life and death.

Major1

I’ve decided to extend my little side-helping of level design analysis on this blog into the FPS arena, specifically with Perfect Dark. It’s one of my favourite games, and the re-release a few years ago on XBLA got a lot of negative criticism about the apparently poor level design. This entry is going to analyse these claims, the changes in FPS level design over the last decade or so, and look closely at three of the smartest levels in the game, and why I think these critiques are, for the most part, totally unfounded.

Major2

In URR, maps are going to be essential. There are map stores in cities (and some towns) and acquiring maps are going to be a crucial part of the strategic layer of the game to figure out where you actually want to go. I was reminded recently that Alpha Centauri allows you to trade maps, and this raised an interesting question – in a game with money, and items with monetary value, can you assess the numerical value of a map?

Major3

This entry has also been in the works for some time and is mostly finished. Dark Souls is likely the game I love most on this Earth, but Dark Souls 2 was a colossal disappointment. This entry is a detailed analysis of the strengths of DS1 – story, level design, mechanics, NPCs – and why DS2, sadly, falls so flat by comparison. It also describes some of the links between Dark Souls and URR (or rather, some of the ways DS1 has inspired me).

Major4

The third entry in the world-renowned (…sort of) serious of level design analyses of the Command & Conquer games – this one now moves on from C&C 95 to Tiberian Sun, the sequel, and covers three missions, two of which are from the expansion. As with the others, this series tries to highlight some clever level design in a genre of game that isn’t generally renowned for clever level design, and these three levels especially focus on some of the unique units and setups developed for this game.

So! There will likely be one or possibly two short URR updates to keep everyone up to date on what I’m working on when I have a little bit of spare time from academic work, but the blog is going very games-crit-heavy for the next couple of months. Many of these are already at least half-written (some fully written) and it’s just going to be hard to find the time to set down and really do that much coding. Hopefully you folks like the look of the delicious offerings listed above, and we’ll be starting with one next week (probably Perfect Dark or Dark Souls 2). Some time in late September remains the current target for starting the full-time year, and see you all next week…

The Big Announcement

So, last week I hinted towards a big announcement that had come through about URR’s future, and today I’m actually able to talk about it.

Short version: I’m going to be working on URR full-time for the next year, starting around September! And not a Kickstarter to be seen.

Trend

I’ve been thinking about this a while. As regular readers will know, URR has rapidly become the project in my life I care the most about, and whilst I’m currently doing a doctorate in one field of social science, I want to move into game studies before my first academic job. It started to seem that taking a year “out” would be the perfect way to combine these objectives – I could finally work on URR full-time and push ahead with it, whilst simultaneously having time to start publishing in game studies in anticipation for jobs further down the road. With a full year I know I can easily finish the entire worldbuilding segment within a year’s full-time, and that’s hugely exciting to me, and I really want to finish this block off. This means adding currencies, ships, ocean travel, mountain passes and caravans, and not to mention building interiors, NPCs, and weapons, armour, and combat mechanics!

However, even if I was fixed on the idea, there were still questions of where I was going to live, how I’d get by financially, and so forth. At first I considered doing a Kickstarter or similar – I’ve been critical of many KS campaigns in the past, and I continue to feel it can turn into a very problematic situation, but that was what I first considered. However, through a combination of trying to live frugally and the kindness of a family member, I’ll be able to survive this year. I recognized I could still have tried a Kickstarter instead, and I feel I would have had a high chance of success, but now I’d been given this option I specifically decided not to go the KS route. Sure, it would boost the publicity of the game somewhat, but it would also take several months to start the campaign, run the campaign and do the rewards (even  if they were all virtual/game ones). Having been given the option not to, I don’t want to “waste” months of my URR year not actually working on URR! I also didn’t want to blur the line somewhat with URR and the involvement of money – right now it’s free, will always remain free, and I didn’t want to introduce money to the equation if I didn’t have to.

Another reason to not do KS, alas, is that in the next few months I’m not going to be able to do much URR work. Through no fault of my own the completion of my doctorate has been dragged out beyond what it should have been, and the next few months (July/August and probably September) are going to have to be very thesis-heavy. It’s annoying that this might eat slightly into my URR year (as I’ll be moving house in early September), but there’s nothing to be done, and focusing on my academic work now means that as much of next year as possible will be free. Doing a KS would just further eat into the year, and as above – now I’m lucky enough to have the option to not KS, I think the arguments for KS falter against the arguments for not doing one and starting URR coding the moment my thesis is submitted.

I’m… more excited than I can say about a year of full-time URR coding with some game studies on the side. I’m amazed things have come together after what was probably the hardest year of my life (for reasons I may post in a later blog entry and that had nothing to do with my PhD) and I’m already now figuring out the right order to go about the coding in this next year in order to achieve the worldbuilding-completion goal. There’s also a second half of the announcement I can’t say until next week, which – whilst very significant from my perspective – is secondary from the perspective of you fine blog-readers, but is just to do with my living arrangements for the next year and my continuing academic shift into game studies.

There you have it. The next two or three months will have unfortunately have little URRing due to a very unfortunate position I find myself in academically, so 0.6 will be pushed back a few months, but from the screenshots I’ve been posting in the last few entries, I hope you’ll all agree it’s looking like it’ll be worth the wait. The next few months will therefore have some URR updates when there is stuff to update you on, but also probably a greater number of general games criticism pieces than usual. After that, hopefully starting at some point in September, I’ll be working on URR full-time for a year! I cannot wait. Thanks to everyone for your support thus far, and I hope you’ll join me in the UNCONTROLLABLE HYPE for next year.

Fortresses

For the first time in living memory, my prediction about this week’s update was spot on - fortresses. Where hunter-gatherers dwell in settlements and feudal civilizations dot the landscape with cities and towns, their nomadic brethren survival via a combination of caravans (which will be implemented later, probably in 0.8) and fortresses. These are dotted throughout the deserts of the world along what will later be major trade routes the caravans pass through. Whilst they are home to some people, the population count of nomadic civilizations is small compared to feudal nations, and many of their people live “in” the caravans anyway. Aside from some homes within these fortresses, however, much of their land is given over to military barracks and facilities, and open-air markets – yes, that’s right, open air markets will exist! Several people have asked for these, and whilst I felt I wanted everything in feudal nations to be focused in distinct shops (black markets, once implemented, will still roughly follow the “shop” model), open-air markets and bazaars seem very appropriate for nomads. For now, these markets are shown by the white %s in the images in this post; these stands will display items with a shopkeeper “patrolling” the area around them. Whilst each fortress has a lot, not all fortresses will spawn with markets (though most will), and some “stalls” might be shut, or unused, whilst others will contain useful things. My intention is for most stalls to be akin to general stores in feudal cities – almost any item may spawn – but possibly a few specialists in the mix as well.

Now on to the layouts of these fortresses. There are twelve different presets for fortress shapes, as shown in this illustrative and highly detailed diagram I created in the leading contemporary graphical software package, MS Paint:

Fshapes

Most of these are self-explanatory – the ones with dots are ones where the entire fortress is not “enclosed” within walls, but many of the buildings surround the main towers of the settlement instead. It’s a rare variant, but one that I thought would add some nice variety. At time of writing five of these have been coded, and I hope to have the remaining ones finished in the next fortnight, then probably moving back to cities for a while. Below is one example of the “concentric circles” archetype. In the outer layer we see housing, and in the inner layer one region of barracks and military buildings with a second region of open-air markets. Gates in this case happen to have spawned in the west and east, and there are bridges for crossing the rivers, making sure every region of the fortress can be reached on foot. In all fortresses areas near the core are likely to be of soil or even have some plantlife, whilst the outer areas will remain covered in sand. Bear in mind, as ever, that screenshots of an entire map grid always look wildly different from a close-up (which you’ll have at the end of this post). Nevertheless:

TerrainTest

As you can see from that picture, the web of bridges and gates ensures that every area of the fortress can be accessed. In future versions once caravans are implemented there will be buildings and encampments around the fortress which will come and go as caravans and seasons pass, but these are the “stationary” parts that will remain constant.

Lastly, here’s two more screenshots, one from me entering a “square” archetype fortress, and one from a square fortress which had a river running through it, and its inhabitants had evidently decided to use it as a form of extra defence or a way to separate the different areas of the fortress, rather than just considering it something that had to be built around like those who crafted the circular fortress above.

TerrainTest

TerrainTest

TWO FINAL VERY IMPORTANT THINGS

Firstly, I’m going to be submitting my thesis within, I hope, a month (or at the most, perhaps a month and a half). This means the next 4-6 weeks are going to be very academically busy whilst I do the final edits to my hundred-thousand-word abomination masterpiece. I don’t yet know how many edits my supervisors will want (we’re meeting on the 4th of July to discuss this) and how long these will take to do, but whilst weekly updates will continue as ever, they may be shorter, or I may deploy some non-URR pieces I’ve had in the works for a little while. I think August remains a realistic target for 0.6, but we’re probably looking at the end of August, though it must be said this is the biggest release in some time. 0.7, by contrast, I would expect to be significantly shorter in duration.

Secondly, some absolutely incredible news has just come through regarding the next year of URR’s development (starting in two months once my thesis is submitted). I’m not really allowed to say any more on this topic yet, but by next week (or if not, definitely the week after) I should be able to make the appropriate announcement. GET HYPE.

Upper-Class Housing, Banks, and the Panopticon

Upper-Class Housing

This week’s main project has been on upper-class housing. There will only be one of these districts in each city and will contain three manors for the most important families in that civilization (including your family); a number of smaller manors for the “second tier” of wealthiest family within that nation; then a range of large houses (larger than what any other district offers) for other wealthy families but ones who cannot quite afford one of these ostentatious manors. In this version you will begin the game in the courtyard of the manor for your family, whilst in other versions once the early-game story introduction is in place, you’ll spawn within the manor (though once you know what the introduction is, you will naturally be able to leave right away and begin the game).

TerrainTest

For the sake of interest I also put together an image to show the four different levels of housing. Note that this is four screenshots stitched together – hence why the roads do not match up between districts – but remains nicely illustrative of the four different levels. I’m very pleased with the kind of variation between upper class/middle class/lower class/slums and can’t wait until the point where I can put together an entire image of a city in all its glory. Markets as discussed before are finished, recreational and medical districts are being removed (and absorbed into others), and my next district is probably going to be military districts, though that requires quite a bit of thought first about what exactly I want spawning there.

Trend

Banks and Currencies

For the most part currencies are scheduled for a few releases hence (at least the generation of their images, exchange rates, etc), but since I came up with an interesting idea for banks on the strategic level of the game, I realized I need to implement at least the names of the currencies now even if their full realization would have to wait. As in the real world, the overwhelming majority of coins are metallic, though there are a very small number made from rather more unusual materials that you may come across (no more than one or two per game). Each currency is termed according to the material of its construction and the image that will be on the coin – you might encounter civilizations that deal in Golden Stags, Silver Wolves, Steel Fires, Bronze Axes, Copper Dragons, etc. Some also break down into lesser denominations like shillings, pence, cents, etc (a quick Google for a large number of these terms proved incredibly helpful).

Now, each civilization (Feudals only) will have a central bank with branches in some of its middle-class districts. I wasn’t sure at first what role these could play, but I had an interesting idea for the strategy layer of the game. As I’ve talked about before, the strategy layer of the game will involve navigating the world map in a range of difference ways. Different terrain types and elevations will take different periods of time to go across; some nations will be friendly, some hostile, some unknown; whilst mountains can only be crossed with a mountain pass, deserts with a caravan, and the ocean by finding a trade route and someone willing to accept you onto their ship. One other aspect of this layer is money – different districts will cost different amounts to enter, some exchange rates will/won’t be in your favour, and as you move around the world, you’ll quickly leave your home civilization far behind. Thus, once the strategy layer is implemented you will be able to invest your money into the bank in any civilization you pass through, and interest will accrue, but only in increments of one month and can only be collected if you pass back through that civilization again. The one-month requirement prevents farming (there is no way you can wait around a full month!) whilst it will raise another interesting strategic decision. Do I leave some money here on the assumption I’ll come back later to collect it? How much currency do I think I’ll need on my journeys before I next return to this city? Etc. It’s just a small aspect, but banks now spawn in middle-class districts, ready to receive future customers.

Special Buildings

Some more work on special buildings. There are going to be roughly twenty-five in total, and whilst they will not all spawn every game, a decent number of them will; they will then be distributed through-out the world’s cities. This means not every city is going to have one, but most cities will, and these special buildings will be especially prominent in world histories. Some will relate to the core quest, some will relate to other things, and they’ll generally add a little more variety. They will also allow me to further explore some of the sociological themes I want to get at in the game, so below is a screenshot of the player walking around the outside of the Panopticon prison (which this time happened to spawn in a near-polar nation):

PanopNext week, I can safely predict (for once) I’ll be talking about nomadic fortresses as I’ve been working on those the past couple of days. They’re starting to come together and have also helped me come to some conclusions about the role of military districts in cities, certain things to do with weapons (coming a few releases hence), and also to think through some other things about the strategy layer I’ll share next time. Until then, hope you enjoy the Ominous White Pentagon and the city districts, and let me know what you think.